Thu 28 Aug 2014
by Aliza Greenblatt
Tina Wayland is a freelance copywriter, part-time fiction writer and full-time mom to a great wee kid. Her story, Red Handed, was the top story for July.
Aliza Greenblatt: I’m always curious about what drives authors to write, so can you tell me a bit about that? Do you typically write horror or do you venture into other genres as well?
Tina Wayland: Good question. I don’t know what drives me to write—the curiosity to see where the story will take me? The challenge to get a good piece of writing down on paper? I’m not a writer who’s driven to write. It takes a lot to get me to sit and put stuff down. But I’m always fascinated by the outcome.
I used to write horror way back when I studied Creative Writing. It’s something I haven’t done in about 20 years. This story was supposed to be about a simple conversation, but it took a wrong turn down a back road somewhere and I just had to follow along.
AG: When you sit down to write a new story, what is your process like?
TW: Haha! Fiddle, fiddle, get a glass of water, check my emails, fold some laundry, check my emails. At some point I focus and start writing, and in those rare moments where the writing stars align I find that perfect groove and I’m lost in the writing. For me it’s more about overcoming the obstacles than following a process. But somehow it works.
AG: The desire to escape was a major theme in the story and the two major characters in the story were desperate for a way out. But it slowly became apparent that the boy would use any means possible to do so. Did the characters’ desperation carry the momentum of the story as you wrote it? Do you think the boy will ever stop running?
TW: I don’t know if I saw them as desperate. I think they both believed they would win—that they’d get what they wanted, in the end. In my mind, the boy never questioned that he’d escape, and the detective never questioned that he’d get his answers. But the boy knew better. I don’t know if he’ll ever stop running. All the story gave me is this small glimpse into his life. Once he was out the door in the wall, he was gone—out of my control. I’d like to believe he’ll keep running, though. I don’t know what else he’d leave in his path.
AG: This piece used language very deliberately, and I loved how almost all of the sentences in the story were short and concise. Did you have a reason for writing in this particular style? Was it a conscious decision?
TW: No matter how I start off, I always end up writing like this. Economical. Deliberate. It’s about the words but it’s also about the rhythm of the words. I love the poetry of it. I can spend a whole lot of time looking for the perfect two-syllable word to balance out a sentence just right.
AG: From your bibliography, this is not your first flash fiction story. For you, what is the appeal of flash? What are some of the challenges you face when writing stories with such a limited word length?
TW: I think my writing style lends itself most easily to flash fiction. I cut and cut and cut until I’ve excavated the right sentence, the right words. By the time I get to my third draft, I’ve lost more than half of what I started with.
For me, the challenge of flash is to get the story right, and quickly. It’s less of a build-up to your characters and more of a quick look into one moment of their lives. There’s no time, and no words, to waste.
AG: What other projects are you currently working on? Are there other stories of yours, either upcoming or published, that you can point readers to?
TW: I have a handful of stories desperate for a second draft. I’ll have to dust one off for my writing workshop soon.
I also have a poem just published in From the Depths. You can read it in here, free.
Plus I have a small collection of published stuff on my work website at http://tinawaylandcopywriter.com/fr/published-fiction.php.
A few of my stories are up on EDF, and it is a great honour to be published alongside so many wonderful authors on such a great writing site. What a thrill that Red Handed touched so many readers! It was unexpected and truly wonderful. Thank you for taking the time to ask me these great questions about writing. It was great fun to think about the answers and pass them along!
AG: Thank you very much for taking the time to chat with us. Best of luck with all your writing endeavors.
Aliza T. Greenblatt works in a firmly non-writing field when the sun is up and writes under a desk lamp at night. Fueled by a sheer love of books and a tyrannical imagination, she writes the stories that appear over her morning coffee and won’t leave her alone until they are put down on paper. She writes, raves, and blogs at http://atgreenblatt.com. and on Twitter @AtGreenblatt