Thu 26 Feb 2015
by Aliza Greenblatt
Dan Blunk is an aspiring fiction writer who loves stories of all kinds, golf, the outdoors, and a nice bourbon on the backyard deck as the sun goes down behind the mountains. He lives in northern Colorado with his wife and dog.
Aliza Greenblatt: What inspired you to start telling stories? How old were you? Who are some of the authors that influenced you? Favorite books?
Dan Blunk: My family was pretty book-crazy. My mom was a librarian and so some of my favorite parts of my childhood were going to the library with my two younger brothers and reading and letting my imagination run wild. I was pretty young when I thought I wanted to be a writer, probably seven or eight. Around that time I started a ‘novel’ a time-travel story with dinosaurs and adventure and a daring male protagonist. I’d go up to my room, write a couple chapters, and come down and give them to my parents to read. They must have thought I was nuts, but they really encouraged me. I read a lot, but one book that I really connected with as a kid was a book called The Missing Persons League by Frank Bonham. It’s a dystopian story about a high school kid trying to track down his dad, who is missing. I was in fourth or fifth grade when I read it and it blew me away. I was so entranced I said to my mom how cool it would be to actually talk to the author about it. She got the publisher’s address and told me I should write him a letter. So I did, and he wrote back! It was really exciting, I was such a nerd, I thought that was the coolest thing ever. It was a formative experience in my life. We carried on a correspondence for a while, it just made me want to write more. Other authors I love are Ray Bradbury, Raymond Carver, Ursula K. LeGuin (Earthsea Trilogy is amazing), Michael Chabon, Stephen King, so many others. I’ll read anything that interests me.
AG: You mentioned on EDF that Rig #9 was your first published story. Congratulations! What a great way to start your fiction endeavors. Can you tell me about your writing goals, both some long term and short term ones?
DB: Thanks! It was a pretty exciting thing for me. I’ve always kind of thought of myself as a writer, but only in the last two years or so have I gotten ‘serious’ about it. I started taking classes at a place called Lighthouse in Denver, it’s an outstanding community of really talented teachers and writers and going there has really energized me to actually apply myself. They have really taught me to have fun but to take responsibility for developing myself as a writer by reading a lot, critiquing the work of others, and just keeping at it, never stopping. I fell in with a group of writers and we started our own writing group (Knife Brothers!) and it’s a lot of fun. We get together every month at someone’s house and have some wine and some food and chat and share and critique each others’ latest stuff. That has been really energizing for me, it forces me to work hard because I don’t want to show up with nothing for the group to talk about! As far as goals, I would like to keep working on short stories and flash fiction, which I really love, but eventually I’d like to try writing a novel or screenplay.
AG: Can you tell me a little about your writing process?
DB: For me, things start with a kind of day-dreamy ‘what if’ chain of thought. I have always had a very active imagination, and I’ll see something in real life and that will spawn a chain of questions. For example, I’ll see a guy walking out of an assisted living facility wiping tears from his face and I’ll just imagine, ‘what happened in there? Is his dad sick? How do they get along? Did they argue all the time when he was growing up?’ And it will just go on like that, I’ll have this spur-of-the-moment exploration of possibilities in my own brain. That starts way before I ever actually write anything down. I have a day job that I really enjoy and that challenges me a lot. In order to make time to write, I started getting up around 5:30 and spending 45 minutes or so. I’m not that great about doing it every day, it’s a tremendous feat of discipline and I really admire people who can stick to a regimen like that.
AG: One of my favorite parts of this story was the voice. Immediately from the opening line, the mood was set and it was clear that even though the narrator is an old hand at this business, he also has a good grasp on literature and the local history. How did you find the voice for this piece? Or did it find you?
DB: Thank you very much. This piece started with my wife wanting to go for a drive. We live in northern Colorado and there are a few little ghost towns to the east of us, and as you get away from the mountains you get into the windy, flatness of the western Great Plains. It’s a hauntingly beautiful place, with the tall grass and the wind and the open sky, but it’s incredibly inhospitable and it feels hostile and alien and it just struck me as very powerful and it just got my creativity flowing. So we went out to see one of the ghost towns and it kind of started the day in the creepy old-West way. Then we drove to a really cool hiking place with all these big rock formations and while we were out there I started seeing all these oil wells pumping. So then it was a little bit of a lightning strike moment for me, I imagined this old oil rig worker dealing with something that had happened to him that he couldn’t really explain, but I wanted him to be trustworthy and intelligent, someone who is more than just a simple roughneck because I wanted to present the nuance that I imagined when I heard him in my head. So I think the voice came from a deep connection I had with that place and it kind of flowed from there.
AG: What were some of the challenges of writing this story? What are some of your favorite parts?
DB: I would say my main challenge was making the voice of the main character ring true. The first part kind of came to me, but I had to work hard to maintain the voice and keep momentum going in the story and, hopefully, give readers a payoff in the end. My favorite parts are probably when the narrator is at his gruffest when he talks about what an idiot the Kid is, and the way the birds gather together to form the shape of the Kid, that image just bubbled up from deep in my subconscious and frankly scared the hell out of me.
AG: What other projects are you working on now? Are there other stories of yours, either upcoming or published, that you can point readers to?
DB: I am working on a couple short stories, I am due to submit one to my writing class in a few weeks, so I’m working hard to get that into shape. I’m also working on a few flash pieces that kind of came out of a trip we took to Florida during the holidays. I haven’t submitted in a while, but I should have some things ready to submit by spring.
ED: This is Aliza’s last EDF Top Author interview. I want to thank her for her time and effort in providing us with these interviews and wish her well with her future writing endeavors. Beginning in March, Jessi Cole Jackson will take over these duties.
Aliza T. Greenblatt works in a firmly non-writing field when the sun is up and writes under a desk lamp at night. Fueled by a sheer love of books and a tyrannical imagination, she writes the stories that appear over her morning coffee and won’t leave her alone until they are put down on paper. She writes, raves, and blogs at http://atgreenblatt.com and on Twitter @AtGreenblatt.