Sun 14 Dec 2014
by Andreé Robinson-Neal
Hopefully you all survived the three most momentous days of November: Gray Thursday, Black Friday, and Cyber Monday. And if shopping and eating were not on your list of to-do’s for the month, Flash Fiction Chronicles had more than enough to keep you occupied. The month began with a visit with Rolli and a review of his latest book, I Am Currently Working on a Novel, which is enough to distract you from whatever else you planned to do online today. R.L. Black added to the distraction by giving us fantastic tips about writing spooky flash fiction. She points us to the things that make great flash but takes it further with one primary pointer for writing horror flash: “write what scares you.”
Some might interpret the slope as John’s descent, but he’d have to arrive somewhere first before having a drop off and I don’t think he reaches the pinnacle of anything other than his own misery.
That wonderful line is from Susan Tepper’s chat with Richard Fulco for November’s UNCOV/rd. He’s talking about the main character of his debut novel, There Is No End to This Slope. You will most certainly want to slip your credit cards away after you pick up this morsel.
For many parts of the world, November is a solid mark of fall—brown leaves, cooler temperatures—and drives writers in front of their space heaters or fireplaces to conjure unplagiarized versions of dark and stormy nights. Elizabeth Maria Naranjo gets us in the mood for what comes next: the editing process. Many writers hate self-editing but hate having their work dissected by someone else even more. If you came up with the next best seller during the month for NaNoWriMo, give her article a once-over so you know how to react when you take a first look at the mark-up after editing. But before you click “send” to get your tome into the hands of your editor, consider Cameron Filas‘ suggestion to make notes from previous rejections and comb through that manuscript first. He takes us old-school by suggesting sticky notes, but he advises we can keep it high-tech, too. And before you decide to chuck the idea of using a third-party editor (instead of your best friend), give Sarah Crysl Akhtar’s piece on what a real editor will tell you and how it helps your writing a good once-over.
If you are not a flash fiction writer but want to give it a go, Mark Budman offers practical points and examples of how it’s done. He even reminds us that “flash writers are the enemies of fat.” Perhaps his article should have come along in January when we make our New Year’s resolutions … Fortunately RK Biswas’s review of My Very End of the Universe – Five Novellas-in-Flash and a Study of the Form is a giant bellyful of flash and skill-builders. Rose Metal Press offers this hefty volume, not just for our reading pleasure, but to help us learn the what’s and how’s of “doing flash.”
Speaking of how to do flash, Aliza Greenblatt introduces us to Jeff Switt, the EDF Top Author for October, whose piece “Halloween Coming Out” gives us a sample of someone who has a handle on this flash business. Gila Green offers us a step-by-step for building character-driven flash in which we cut the fat and get on with the enjoyment of writing.
As we neared the end of November, Jim Harrington brought back an interesting quote for us to sink our teeth into. The point is something that serves as a main ingredient in most of the posts from the month: tell the story. And the period on the sentence? Sarah Crysl Akhtar‘s share from the EDF Archive, in which the author offered a great story that, as she says, is also “a perfect example for writers on why less is so often more.”
Hopefully our November offerings satiated your mental hunger pains for flash and more! Be sure to visit for more this month.
Andreé Robinson-Neal got bit by the writing bug back in the late 1970s while watching Rod Serling and reading Ray Bradbury—both of whom are everyday inspirations; although she has worked in education for more than a quarter-century, she has never been cured of her penchant for speculative fiction. Find some of her flash fiction at starvingartist.com. She writes under the name AR Neal, who will hopefully one day be identified as a famous NaNoWriMo participant.