Tue 25 Nov 2014
By Gila Green
An abbreviated version of this post first appeared at WOW-Women on Writing.
I have great news for flash writers. There’s no reason why you cannot write character-driven flash fiction. You do have time to create a compelling character. The catch is that you can only create one really undeniably forceful character, so you need to do it well. Briefly, character-driven fiction is popular and fun to read and write. It focuses on the emotions and inner conflict of the protagonist vs. an action-packed plot that dominates the story. Really great writing contains both, but many writers need to strengthen one or the other.
Character-driven flash fiction is different from all other forms of character-driven fiction in two ways. The first is that your heroine can have only one compelling goal (hint: it’s usually a character’s need to go towards something or to go away from something).
This leads us to the second major difference: all of your compelling character’s qualities must be there to back up this need only.
For example, if the main goal of your seventeen-year-old heroine is to get herself thrown out of school, so that she can hop a bus to see her boyfriend, you must make sure she is interesting (read: we care if she achieves her goal or not), flawed (i.e., she cannot be totally justified in her desires) and that your entire focus is on her one defining moment. You don’t have time to explain why her boyfriend moved, why her mother forbids her to skip school, how they met or their future hopes.
You do have time to write about the moment her best friend pretends to faint, so that she can offer to get a nurse and slip off to the bus stop only to be met by her raging father/to see her handicapped boyfriend in the arms of another girl/to get hit by the bus/ choose the wrong bus and end up saving someone’s life/return to the classroom and confess that she cannot lie to her favorite teacher. I could go on, but you get the idea.
You’re wasting time describing her hair and eye color and favorite cake decorating hobby. You’re on the right track if you tell us that she’s never been able to pull off a prank (or the opposite, that she’s known as an untrustworthy prankster), or that she has a neatly packed suitcase of clothes hidden in the bushes by the bus stop (or you guessed it, the opposite, she plans on taking nothing but her favorite pen knife along for the ride).
Do you see the difference? In a novel or short story you’d have plenty of time for a physical description, but for character-driven flash, physical description is only important if it supports her main goal or her defining moment. If she’s so thin that she can slip out the window, or so heavy that the only way out of the room is the front door, then yes, put it in. Otherwise, delete it.
Most of all, if you are enjoying every minute of writing about this character, there is an excellent chance your readers will, too.
Canadian Gila Green moved to Israel in 1994. Her novel King of the Class was released in April 2013 by NON Publishing, Vancouver. Her stories and articles appear in tens of literary magazines in the U.S.A., Canada, Australia, Israel, UK and Hong Kong. Her collection, White Zion, is a finalist for the Doris Bakwin Award and her work has been short-listed for WordSmitten’s TenTen Fiction Contest, the Walrus Literary Award, the Eric Hoffer Best New Writing Award and the Ha’aretz Short Fiction Award. She’s been teaching fiction on the WOW-Women on Writing site since 2009. Her next classes in Flash Fiction and Literary Devices begin January 12. Please visit: www.gilagreenwrites.com