Wed 17 Feb 2010
The Short Story According To Nik
Posted by Gay Degani under advice, craft, flash
[18] Comments
BY NIK PERRING
reprinted with permission from Nik’s Blog, January 26, 2010
I am not an expert on short stories. I’m not an expert on anything to be honest. But I am a short story writer, one who’s been published in some fairly spiffing places, and one who teaches writing every so often.
It occurred to me earlier that I don’t really give any advice here, so this post should change that. It’s not comprehensive. Lots will disagree with me, I’m sure. But this is what I think. I hope it helps. And if anyone’s got any of their own I’d love to see them – so do leave a comment.
Here are my tips for anyone wanting to write a good short story or piece of flash fiction.
Start where the story starts, not before. If I was telling you about a fantastic hotel room I’d stayed in I wouldn’t start by telling you about booking the tickets to get there (unless the story was about booking the tickets and ended in the room).
Take out everything, every word, every sentence, every character that isn’t absolutely necessary.
Similarly, only use the right words. Sometimes people do just ‘sit’. Or ‘run’.
Make sure your characters are believable. What they do, or the situations they find themselves in, may be unlikely and fantastical but the way they react to them has to be something that readers will believe.
Be suspicious of anything you think is clever. The story comes first, the story’s what people should notice, not the writer.
Write for you, but spare a thought for the reader too.
Don’t overdo it. Big words are fine if they’re the right ones. Same with descriptions.
Say what you want to say in the simplest, and most effective, way possible. In other words: get to the point.
Aim to be brilliant.
Don’t expect it to be easy. Or quick. Be prepared to work hard.
Don’t be afraid of rewriting. In fact, embrace it; it will make your stories better.
Don’t expect to get it right the first time. You have total control of what can be changed. (I often find also that if a story wants or needs to be changed, then it’ll let you know.)
Trust your instincts. If you suspect something’s not working then it probably isn’t.
Don’t be afraid of putting a story away for a while. Sometimes stories, and your head, need space.
Don’t be afraid of failure. Nothing’s wasted. It’s better to try something new and fail (and perhaps learn something) than to play safe all the time.
Most importantly: BE BRAVE. You have an imagination, use it. Write the story you want to write, write what you think’s good and interesting, even if that means not sticking with the norm. Different, if done well, can be brilliant.
And read the greats. See how they do things. See why they’re the greats.
Nik Perring is a writer and workshop leader from the UK. His short stories have been published widely, in places including Smokelong Quarterly, 3: AM Magazine, Ballista, Word Riot and Metazen. His debut collection of short, short stories will be published by Roast Books in the summer. He’s also the author of a children’s book and occasional non-fiction. Nik blogs here .
18 Responses to “ The Short Story According To Nik ”
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Nik! Thanks for letting FFC abscound with your wonderful post. Words to the wise. Are you writers out there paying attention???
BTW-Live the “Be brave” part. That resonates.
Yes! Am paying attention.
The rewriting part is so important to me. That’s where I find the story I’ve written and didn’t know I’ve written it. (Yep, THAT sentence needs editing!)
OK. Need to be “brave” today. A short short is due on Friday.
um. need idea first.
Excellent post and worth coming back to again and again (as I’m doing now!). ‘Trust your instincts’ and ‘be brave’ the words that resonate most with me right now. Thanks again Nik (and FFC) x
You’re welcome, Gay – thanks for having me on here, it’s a splendid place. Hope it proves of interest or use!
I know exactly what you mean, Marisa. Rewriting’s where it’s at.
Nik
I think this is excellent advice. You’ve pegged a lot of common fears. Once we learn to let go of fear, the world opens up.
I’m going to hold on to this post and keep referring to it! – Thanks!
Thanks Diane.
I think the trusting of our instincts is a hard one because, so often, we know where we want a piece of work to be and are desperate to believe it’s there; admitting it’s not and it needs working at is not an easy thing to accept (even though, we KNOW it!).
Being brave’s not easy either – I think that’s more of a self confidence thing!
Nik
Hi Kathleen
So glad to have been of use!
Happy writing!
Nik
“Start where the story begins.” As an editor, this is the first thing I look for in a flash fiction story. If a submission doesn’t begin in the right place I can’t publish it. And where is the right place? As close to the payoff as possible.
Couldn’t agree more, Guy. As Kurt Vonnegut said: ‘Start as close to the end as possible’.
Just out of curiosity, because I’m not an editor – what percentage of stories do you get that don’t start in the right place?
Nik
Nik,
I love good advice. It makes sense, and I plan to share this (with credit to you) with my high school creative writing students. You’re reaching the future generation of writers!
That’s wonderful to hear, Marian – thank you! Hope it helps them!
Nik
Great advice! Making the characters believable (telling the truth) is always important. It’s also always a great idea to read, read old, read new, read great, bad and often.
Thanks Pete – I couldn’t agree more. Reading is hugely important.
Nik
Solid advice; a good collection of rules some of which have gathered a bit of dust in my brain and then some fresh ones to consider. I particularly like the one about “being suspicious of anything clever”. It’s a particularly difficult one to avoid when using comparisons. You want to avoid the clichés (light as a feather) but not go overboard (light as a halogen bulb).
As a codicil to “Don’t be afraid of rewriting,” I’d add, “Know when to let go.” There comes a point when further mucking about yields diminishing returns, or can even make things worse. Sadly, there isn’t a meat thermometer for stories where a little red button pops out to tell you its done. After you’ve given it your best effort, trust that it’s good enough to serve. (Or until somebody wiser points out a plot inconsistency).
–John
Hi John. Thanks.
I think the being suspicious of anything clever is a really useful one and it helps us, hopefully, to stop trying to show off and concentrate on the story’s needs. I guess it’s linked quite closely with choosing the right words and phrases and on the story, not the writer, being the important part that a reader would notice.
And you make a very, very good point about letting go. There has to come a point when we say stop (but isn’t it difficult to know where that point is!). I’d also say that I don’t think that over-doing it is always a bad thing – it’s interesting to see why what went before worked and why the extra bit didn’t.
Nik