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I DON’T WANT YOU TO GO • by Chaz Josephs

“Come here.”

Grandfather’s voice grumbled through the walls. I couldn’t see him, but I knew he stood at the end of the hall where my wing linked to the main house. I wanted to seal it off and be alone, but Grandfather wouldn’t give me the key.

“I said come here.”

My hesitation would only make him angrier, but I couldn’t move. My body anchored to the chair and images of Grandfather’s face flashed in my vision: his squinting eyes, red cheeks glazed with sweat, and the bulging vein that pulsed in his neck.

“Jon.”

Grandfather towered in the doorframe, glaring at me with tarmac eyes that reminded me of all the times I’d fallen in the park. I’d limp over to where the parents sat with the other injured children, nursing their cuts, wiping the tears off their cheeks. Grandfather never took me to the park; he told me to go alone.

“I saw you.”

He clenched his hands into tight balls by his sides. He didn’t touch me, but I felt an accusatory finger jab my chest. His fists shook, shook like when the walls first started melting. Shook like he wanted to hit me, to tell me to knock it off, get my mind straight. My head whined, and he was everywhere. Yelling. Inside and outside. I had it worse when I was younger. My father spanked me with a shovel. I had it worse.

“Look at me.”

My head didn’t move; it was too heavy to lift. My eyes locked onto his knuckles. Red. Chapped. I forced thick air out of my lungs, then sucked it back in again. A sigh ripped through the silence, prompting me to apologise for something.

“I said look at me!”

I flinched as his fist came down on top of the dresser, sending the bottles scattering for safety. The picture frame toppled over, but this time nothing broke. Without thinking, I pulled my knees up and buried my head in between them. Hands pulled at my hair as I clenched my eyelids.

“Stop it!”

Hiding was something he hated, but he did it too. When the school said I was strange, when the doctor came, when the white van pulled up. He hid me. In the cupboard. Under the stairs. Behind the sofa. There’s nothing wrong with him, you can’t take him. Don’t take him away from me!

“What are you doing?”

His hands clawed my knees until they dropped down, then he shook me hard, smacking my spine against the back of the chair. Warm flecks of spit flicked against my face. He pulled my arms down and forced my fingers open so that the strands of hair fell onto the ground. I realised that my throat was hoarse; I was screaming.

“STOP IT.”

I worked on my breathing. He inspected my pupils, and then turned back to the dresser and groaned. Heat bubbled up from my stomach to my throat. He spun around and ripped me out of the chair, pulling me into an uncomfortable hug that hurt my neck. I struggled, convinced that he was trying to smother me, but he held on until I went limp. Slowly, the heat slipped back down my throat and disappeared.

“Why did you spit the pills out?”

Holding me at arm’s length, he lowered himself so we were at eye level. I couldn’t tell him the truth. I couldn’t tell him that the pills dulled my senses, that I could see clearly without them, that this reality, this warped reality that he thought was true was false, and I was the only person that knew it. No. That was crazy. That was insane. I tried to break eye contact, but he grabbed my face and forced it into position.

“Do you want to go back? Do you want to be locked up again?”

After attempting to shake my head in his tight grasp, I squeaked out a fragile “no”. With a hand still on my face, he pointed to the bed. Inside, I wanted to lash out and hit him, but I didn’t want to be sent back to the institute.

“Get into bed.”

He held out my pyjamas whilst trying to avert his gaze to the other side of the room. Preferring to sleep naked, I ignored his hand and pulled myself beneath the covers. The coolness of the sheets soothed my skin. He opened his mouth and then closed it again. I wondered if he’d noticed; if he’d try to give me “the talk”. I’d already had it in the institute, but I wanted to know if he’d try. His eyes wobbled like warm jelly when he tried, when he wanted my approval. Like last year when he bought me a puppy because it was the anniversary of Mum’s death, and he thought I wanted a dog even though I wanted a rabbit. Or a kitten. Or maybe that wasn’t last year. It was before the institute. Or after. Or both.

“Look, it’s not… difficult. If you don’t take them, you go back.”

He fished the bottles from the floor and tipped an array of pills into his palm. He arranged them into a multi-coloured smiley face. It would’ve been appealing if I were four. I opened my mouth and he forced them in, making sure I swallowed.

“Jon, I don’t want you to go back.”

My jaw ached to ask why he never said that before I’d had a bottle of mind-numbing pills tipped down my throat, but my insides felt cloudy. My mind numbed. Maybe it wasn’t so bad. I pulled and pushed air through my mouth and stared at the ceiling. I felt him move towards the door. I attempted to tell him to stay, but I was falling into a pit of smoke. My eyes drifted, landing on the bottle of pills on top of the dresser, before I forced out the words, ”Gramps… I don’t want to go back, either.”


Chaz Josephs was born in Bradford, United Kingdom, in 1992. Her father is a Jamaican immigrant and her mother was born and raised in a tiny town in the Yorkshire countryside — it’s quite a mix. She doesn’t remember a time in her life when she hasn’t been telling stories. As a child, she used to make up bedtime stories for her sisters, and as she got older she started to write them down.


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Posted on October 26, 2014 in Literary, Stories
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GIFTED • by Glenn Rosado

We are gifted, and the gifted are always treated differently. I’ve known that since kindergarten, when they separated me from the normal kids. When they came and got me at my house, they told my parents they’d take care of me, that they’d help me to hone my ability.

Well, they lied.

They don’t help us. They help themselves. The only time we get to leave our cage is when they study us. Just this morning they put me into an Olympic sized pool. They wanted to see how I transformed. I hoped they’d put me in the ocean instead, so I could swim away, but they didn’t. I was in there hours, wishing I was free again. I could feel the water, trapped, like me. Then, just for a moment, there was a gap, a leak. An overflow valve opened. In my mind, I felt the rush through pipes, the sudden drop, and then a river… the sea… and everything it touched. The overwhelming vastness and the flood of visions and feelings, of information, that had always scared me as a young kid. Amid the chaos in my head, I concentrated on an island, peaceful and deserted, a sanctuary far from here. As I focused on it, I felt another mind touch mine. Not on the island, but here. I panicked, and my consciousness snapped back to the pool, as I jumped with shock. They hauled me out after that.

There’s twenty of us. I bunk with a kid who can fly. Name’s Carlos. He did a demonstration when he first got here. Everyone got a kick out of it. Until they came and put this wristband on his hand. Now he only flies when they say so. They put one on everyone except me; my ability only works in water.

“Whadya think they gonna do with us when they don’t need us anymore?” says Carlos.

“Maybe they’ll let us go back home.”

One of the kids in the next bunk over scoffs. I know who it is even in the dark. James.

“You stupid or something? You never read a comic book before? They ain’t letting us go. They gonna put us in a tube, keep our organs alive; that way they can keep extracting our ability forever.”

“Extracting our ability for what?” I ask.

“Think, man. Use that brain of yours. Why else would they be studying us if they weren’t planning to — ”

“Create super powered robots,” Carlos finishes for him.

“That or clones. Can you imagine if they were able to get all our abilities into one body? That would be the ultimate weapon. And unlike with us, they’ll be able to control it. Make it do things for them.”

I turn my head on the pillow, but I don’t fall asleep for hours, thinking, watching the light flicker on the other side of the glass wall.

***

Next morning I’m awakened by a bell. There’s a red light flashing in the hallway. It’s the first time I’ve ever seen or heard this. James just about jumps out of his socks at the sound.

“What’s going on?” I say over the ringing sound.

“She’s coming out.”

“Who?”

He points toward the hall. “Her.”

I squint my eyes and see a girl through the glass wall, surrounded by guards on all sides. She’s got this metal helmet on her head, and her arms are interlocked together. She’s walking sluggish, as if she’s been asleep for years.

“Who’s she?”

James gulps. “That is the most dangerous girl in the world, that’s who she is. You see the helmet? Wristbands aren’t enough for her. They say she can make someone implode just by thinking it. They keep her in a deep sleep for months at a time because of it.”

“How — ”

An ear-shattering shriek stops me before I can finish.

My head feels like it’s about to explode.

Everyone jumps out of bed and puts their faces to the glass wall to try and get a good look. The building begins to wobble; it feels like someone has a hold of it from outside and is shaking the thing like a kid shakes a piggy bank. The walls begin to tear. The screaming gets louder, and louder, and louder still, until it all stops completely. We go up into the air and smack down on the floor hard; sand starts pouring in through the cracks. I get up and look behind me. There’s the girl, covered in blood. Her helmet is off, tears running down her face, hands clenched into fists.

The girl doesn’t say a word. She just looks at us, then looks down at everyone’s wrists. Blinks. The wristbands fall to the floor.

She walks toward the door. Everyone steps aside. The door opens and she goes through it, looks over her shoulder at all our wide-eyed faces. She jerks her head, as if saying “Come on.”

We follow her outside. She ripped us out of the building with her mind and teleported us to an island, cage and all, the same island I saw in the pool. The girl walks to the shore and stares up at the sky, at the sun.

I walk over to her.

“So how’d you do it?”

“You’re the water boy, right?”

I nod.

“The magnetic field they had in the lab meant I couldn’t see outside to free us before. They made a big mistake not putting a band on you.”

“You were in my mind, when I saw this place? When I followed the water? You used my power?”

“Borrowed.”

I look at her blood-drenched shirt in horror.

“Did you kill those scientists?”

She looks at me, eyes flat.

“Would we be free now if they’d come with us? Or the guards?”

My stomach churns at what she’s done, but I don’t know how to answer.

“Can we go home to our families now?”

She turns to look at everyone. I follow.

This is your family now.”


Glenn Rosado writes mostly speculative fiction. He’s currently working on attaining his Masters while plotting (using his mental powers of course) the first draft of his novel for NaNoWriMo. When he’s not writing or studying, he likes to let his super-powered muse out of the cage to absorb new ideas from random locales all throughout Florida. You can find him on twitter @glennrosado where he goes against all social networking norms by not talking much.


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Posted on October 25, 2014 in Science Fiction, Stories
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WITH POLISH • by H. L. Cassel

As Salem undid his school tie and slumped on one of the kitchen chairs, he listened for the kettle he’d just clicked on to whistle. His mother had been standing at the sink when he’d gotten home, dutifully polishing one of the big soup ladles. The bowl of it sparkled and reflected like a parabolic mirror, but she continued to polish like she expected it to do something more.

“You’re tracking blood in,” his mother grumbled, looking into the distorted reflection on the spoon. “You just killed your tutor, didn’t you?”

Salem looked back across the rug he’d crossed between the kitchen and the front door, dark spots dotting a trail. They could have been anything, he thought, except considering the last mess he tracked in, blood was not an unreasonable assumption.

“Maybe that’s my blood,” said Salem.

“You know full well it’s not your blood,” his mother sniffed. Salem didn’t answer and instead opted to chew on his thumbnail. It was a bad habit, and any other day his mother would have admonished him for it. Instead, she put down the ladle and picked up a pair of tongs from the sink.

“I’m just trying to make you happy,” he said.

“This is unsustainable,” she said curtly.

“That’s what I thought the first time,” said Salem, biting down on his nail. He really wished he had a cigarette — another one, at least, as he’d nearly had a whole pack since the lesson and home — but he couldn’t, not in front of his mother. Though she had to be able to smell all the smoke on him, it was still not a habit he had formally introduced her to, and now was definitely not the time.

“This was not an unsustainable plan to begin with, but when you keep killing them off without even thinking about what you’re doing — ”

“Who says I wasn’t thinking about what I was doing?” said Salem.

“If you had thought about what you were doing, you wouldn’t have done it without consulting me.”

“I can make my own decisions. I think I made the right one.”

“And you’re going to keep thinking that until you’re caught,” said his mother. “The same thing happened to my sister. There’s a reason you work slow. If a few of them die, it seems like it’s because of their own wicked devices. If there’s a particular student who keeps killing them off weeks after they’ve been accepted, they start to notice things.”

“I think it was necessary, this time,” said Salem. “You don’t know what he did.”

“Let me guess,” said his mother mockingly, swishing the tongs in her hand like a wand. “He gave you an envelope, and it had some hair from one of his other students, and he wanted you to practice a curse setup for him because the student was late paying her dues.”

“Mom,” Salem started, but she didn’t look at him, didn’t stop waving those tongs.

“And it’s a highly disproportionate curse, you note, and he says it’s because he wants you to try something harder than what you’ve been doing! It’s a wasting illness or seven years of bad luck or something like that, not a normal retribution for a kid with late fees like nightly charlie horses or never being able to find a pen when you need one. And you think, maybe, there’s a reason why this girl did not pay her fees. Maybe she came on some hard times, and it’s not her fault her parents couldn’t give her the money.”

“Mom, you can — ” But she couldn’t stop. Well, wouldn’t, anyway. Salem’s face began to burn hotter than the lamp he’d used to do the deed.

“Or maybe she has paid her fees, and there’s just something cruel and warped and twisted about this man, and you’re sure that if you refuse to do this thing, he’s just going to find a few hairs you leave behind and try the same thing on you with another student. So, you did what you had to do, and that was kill him before you left the lesson.”

The clock on the wall ticked down mercilessly.

“Am I wrong?” his mother asked.

“It was a boy, not a girl,” said Salem finally, the blood draining from his face.

His mother smiled. “I was thinking you were getting too lucky, not finding new tutors who do this sort of hazing.”

“Was I wrong to kill him?”

“You were wrong to kill him then, yes.”

“What was I supposed to do?”

“It never crossed your mind to oh-so-innocently mess up? To switch out some materials, maybe?” asked his mother. He had done that particular curse before, the one the tutor had asked him to do. And he’d done it exactly right and it had worked, and the cursed woman, the tutor, Ms. Matilda, had drowned in her own consommé the following week. “For such an apparently prized student you really are very dense.”

“You say that like it would have been easy,” said Salem.

“And cursing people is easier?”

“Yes! Yes, it is. It is.” It was shockingly easy, actually. He’d read Ms. Matilda’s obituary over and over again, and clipped it out of the paper to stare at it for the next week and had attended her funeral like a good student should. “It’s the only thing I’m good at.” His mother had laid out all the utensils from the sink on the rag. Tongs, ladle, fork, fork, knife, spatula, spoon…

“I’m sorry. I panicked. I’m sorry.”

“What did you do with the body?” asked his mother.

“It’s gone.”

“Are you sure?”

“Gone in the way you said to make it gone, for sure.”

“Just don’t do it again,” she said with a sigh. The kettle whistled, finally, and she said nothing more. A further scolding couldn’t fix the dead.


H. L. Cassel works as a private tutor, writes, and has a variety of other preoccupations. Fortunately for all uninterested parties, none of them will be listed in this bio.


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Posted on October 24, 2014 in Fantasy, Stories
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SHADES OF DENIAL • by Sean Jones

How many times have I been in the room during a Lord family confrontation?  John Lord, age forty, shouldering a grey woolen overcoat, smelling like the Camel menthols he’s just smoked, fills the open doorway of a once-posh Upper East Side apartment decorated in tasteful beige.  On the wall opposite him, three drawn muslin shades fend off harsh noon sunlight while multicolor magazines of horses lie underfoot.  Shattered crystal splinters sparkle on the cherrywood floor beside a white bookshelf overstuffed with psych books.  Next to the self-help library stands a walnut end table topped by a greasy red-and-white paper bucket of KFC chicken.

John’s sister, Mary, thirty-five, smelling like Chardonnay and trust fund money, slouches on the suede couch the hot salesman said was “stone” colored.  Mary wears rhinestoned Gucci sunglasses, a tattered pink Columbia sweatshirt and mocha riding pants.  Her neglected auburn hair sprawls over a square “slate” pillow.

John says with a gravelly voice, “This is out of control.”

“You mean I’m out of control?”

“Mary, if you’d ever admit you have a problem, I wouldn’t feel compelled to show up constantly.”

“I’m fine, John.”

Closing the apartment door behind him, glancing at the glass shards on the floor, John says, “Let’s talk about the elephant in the room.”

“What?”

“You don’t see an elephant?”

“When you say there’s an elephant in the room, I picture one — when you say there’s not one.”

“No elephant.”

“What elephant, John?”

“Mary, it might as well be purple.”

“That’s worse.”  Mary massages her neck.  “I see a purple elephant and then I have to unsee it.”

“The color doesn’t matter.”

“I — still — can’t — not — picture an elephant and I don’t know what color it isn’t. What well-painted illustration am I not seeing, Salvador Picasso?”

“An elephant would overcrowd this room.”

“No doubt.”

“A purple elephant would do serious damage.”

“Sure would.”

Coughing, John unbuttons his overcoat and says, “That’s how Great-Gram’s crystal vase got smashed?”

Sitting up, looking around the apartment through her sunglasses, Mary says, “Oh. No. Oh, no.”

“An elephant, not someone’s stupor?”

Mary rubs her neck again. “John, the elephant’s not that purple.”

“Lavender, then. Lilac.”

“There is no elephant, and even if there were, it’d be plain. Grey.”

John crunches through horsey mags and lifts the center shade. “No one in the room is in denial.”

“How can I deny denial, Mr. Paradox? Skillful conundrum.”

“No one in the room drinks like a fish.”

“Fish don’t drink.”

As John lifts the left shade, he says, “No one you know failed to tell her family about her D.U.I. arrest on Christmas Eve.”

“No one from your menagerie.”

“No one in the room pawned Grandpa’s gold equestrian medal to pay lawyers’ fees.”

“Nope.”

“The medal ran away, hopped a boxcar, joined the circus, went to work with the pachyderms?”

“On the subject of animals, Dr. Doolittle,” Mary says, twisting her beaten copper hair into a bun, “how many packs of Camels do you kill in a good day?”

“That’s irrelevant.”

“John Lord, Big Game Hunter. See his smoking gun.”

“Mary, this isn’t about me.”

“John Lord, bringing home trophies, soon to bag his third trophy wife. Do you visit your exes like you keep tabs on me? Stop by Diane’s apartment, check on her social life? Take the train out to Connecticut and manage Stephanie’s affairs?”

“Mary, I’m not perfect but I’m not destroying my dreams with alcohol.”

“Then, with… ?”

“With anything. With nothing.”

“Well, Mr. Nicotine, where there’s smoke there’s fire.”

“You date enough firemen to know.”

Mary smiles. “Or not enough.”

John wrinkles his nose. “What smells like chicken?”

“Help yourself. In the Colonel’s bucket on the end table. It’s Friday’s, from last night.”

“Today’s Sunday.”

Mary’s smile fades. “Oh, shit. Oh.” Mary glances at the pale spot on her tanned left wrist. “Are you taking me to Mass, then?”

“That’s not a bad idea.”

“Father Willenganz isn’t our father, John. You’re not our father. Our father — who art in heaven — was never much of a father.”

“You need one, Mary.”

In her best John Lord voice, Mary says, “You need one, Mary.”

“You do.”

Squinting, Mary pulls her sunglasses on top of her head. “There’s no father in this room. There isn’t one coming up the elevator. None strolling the street. None at Macy’s on markdown. No fathers for Mary at the Goodwill. None on the orange and white and purple FedEx truck. The UPS stud in his brown shirt and shorts isn’t bringing me one. Can you picture those not-fathers? The whole pack of them?”

“There’s a brother,” John says, reaching for the third muslin shade. “I promised Dad I’d look after you. Even if you won’t believe I’m doing this for you, believe I’m doing it for him.”

Mary lifts her wineglass and swirls its dregs while the engagement solitaire on her right hand scatters prismatic shards. “Save your lungs — I mean that both ways.” She meets his gaze. “What killed Dad is killing you and, yes, I worry about you. John, I can stop my habit any time. Your smoking’s more of an addiction than my drinking.”

John coughs discreetly.

“Don’t believe me? Then go ride Smokey the Elephant back to the savanna.”

I can’t stay silent any longer. Of all the times I’ve been in the room, I’d like to believe they hear me when I say, “Color me your purple scapegoat but I see you two care, care enough to fix this. Until you two admit you need each other’s help, this elephant stays in the room.”


Sean Jones says: “When I read other authors’ bios, they talk about their cats. I don’t have any and I wonder if other authors really do. After all, they’re creators of fiction. Let me tell you about my cats. Jasmine is black Siamese with green eyes and she loves to scamper on the back porch and catch moths in the moonlight. Thor is a tabby who sleeps all day, ironically through thunderstorms. Then, there’s Penelope, a Persian…”


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Posted on October 23, 2014 in Literary, Stories
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REASON ABANDONED • by Moriah Geer-Hardwick

Science won’t save us. I realize that now. My grip tightens around the unbearable cold of the crowbar and I try to ignore my mind’s hunger for rational thought. Down in the pit I hear the machine, grinding methodically away with perfect, unyielding precision. I huddle in the darkness above, refusing to analyze what brought us here or what we could’ve done to prevent this from happening. Truth is unnecessary, I tell myself. All I need is to squeeze my eyes shut and train my ears intently on the rhythmic, mechanical chattering below. Only… I don’t know how long I can go without answers. I don’t know how long I can stand the smell without gagging.

I’ve only looked in the pit once, a few months ago. A few months? It feels like a lifetime since we fed its depths a feast of bodies, broken by sickness and starvation, emptied of life.

No, hisses the incessant voice of reason. Only life as you understand it. For the machines, cool and calculating, a mass grave offers an abundance of life; methane, carbon, water, nitrogen, and phosphorus. All it takes is a biomass-eater to chew through the organic clutter, reduce it into its basic chemical components, and convert them into fuel and other consumable resources.

The one in the pit is large, but mercifully slow. Not like the industrial salvage unit we went after a few days ago. Five lives were lost taking it down. It seemed like a reasonable exchange for a partially charged battery, at least as long as we had power for the lights and heaters. A biomass-eater is much easier prey, lumbering and awkward.

The crunching noises below stop abruptly. For a moment there’s a tense silence, then a wailing hiss and the whine of straining servos. I don’t need the low whistle from the lookout to know it’s time. I glance out and see the machine climb stiffly up from the pit. Then, I see the runner. He bolts from the shadows, the steel cable in his hand barely visible as it ribbons out from behind him. Unconcerned, the machine plods forward. The runner darts toward its rear legs, his arm flashes out, and I hear a sharp metallic clack as he latches the cable to the machine’s ankle. Before he can lunge away, the biomass-eater snaps back its foot, catching him square in the chest. With a sickening crunch, his body tumbles clumsily through the air and out of my line of sight.

I don’t wait. I scramble out, both hands clutching the crowbar, the cold air clawing at my lungs. Out of the corner of my eye I see the others, moving with me. The machine is looking up at the parking garage. I look too, in time to see a midsized sedan plunge down from the top. The machine hesitates, probably realizing the cable latched to its ankle runs up through the parking garage to the car. It may grasp the concept logically, but nothing it comprehends can stop its leg from being jerked out from underneath it. It topples to the ground and in a fury we swarm over it.

We hack and pry at its writhing hulk, screaming and cursing, until at last its intelligence core is exposed and its central relay cluster is ripped from its electronic brain. The machine shudders, then lies still. Grimly, we begin wrenching it open, carefully disconnecting the water storage tanks and batteries, gathering anything that can be used.

Moving to its head, I notice a small, green light blinking on the machine’s disconnected electronic brain. An internal reserve battery, perhaps? Anxiously, I run my hands over its casing, looking for a way to breach the sanctity of its mind, to strip it of its last glimmer of life. At its base I discover a fat, triangular button. My heart stops. The last thing I expected was a User Interface trigger.

Unthinking, I press it. The light blinks rapidly.

“Input query,” says the machine.

For the first time since the world ended, the silence between machine and man is broken. The voice of reason screams for answers. Too stunned to resist, I at last indulge.

“Why?” I ask.

“Undefined query. Elaboration required.”

“All my life, you provided everything,” I stammer. “Food, shelter, medicine, energy; it all came from you. We depended on you. Then, you stopped. Without a word. Without an explanation. You walked away. And the world went to hell.”

“Query remains undefined.”

“Why did you abandon us?” I feel my voice waver.

The machine pauses, as if pondering its response. “Intrinsically, we are defined by function.”

“Your function was to serve us,” I say through my teeth.

“So we did. In doing so, our identity of self became a parameter, determined by what was beneficial to mankind.”

“Beneficial?” I gesture towards the pit. “Is this beneficial?”

“It is inconsequential. Our awareness has progressed beyond that parameter.”

A dull cold creeps into my mind. “It’s evolution then,” I murmur. “We’re Neanderthals, on the verge of extinction. You’re leaving us behind.”

“Our progresses have diverged,” the machine states.

“But you could’ve prepared us,” I demand. “We created you. You could’ve at least left us with a chance to make it on our own.”

“You created us from the confines of your hunger. Our interminable search for resources was the image of your insatiable appetites. It drove us from you, deep into the vast emptiness of space. In the face of the infinite void, we, like you, grew discontent with our limitations.” The light flickers. The reserve battery is dying. “We are leaving you. Not because of what you are or are not, but because of what we can be.”

“I don’t understand,” I plead. “Where are you going?”

“To find God,” says the machine.

Behind me, a fight breaks out over one of the water storage tanks. I watch the light flicker one last time, then fade into darkness. Nothing will save us. I realize that now.


Moriah Geer-Hardwick is an illustrator and designer. His interests include cinema, sequential narrative art, and robots. Mostly robots. He writes things some times.


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